Forthcoming and current work:

 

January 2018

Fari Bradley lectures on the findings of our wildlife recordings, at London College of Communication LOMA Conference (Large Objects Moving Air), University of the Arts London

December 2017

Fari Bradley to perform as part of Moogfest, 3-5th December

October 2017

Sound piece installation at Gitex Dubai

Fari to lecture for the MA Sound Art students on her radio practice at  London College of Communications, University of the Arts London

September 2017

Christopher Weaver delivers a lecture at Oxford Brookes University on his practice

June 2017

Performance, live to air on Resonance Extra with Oscillatorial Binnage at Iklektic Lab, London

May 2017

Animal Utterances, Fari Bradley presents a creative paper on our An Ear to the Wild permanent sound installation at this interdisciplinary conference, Bristol University, UK

January – April 2017

January – March 2017

  • A series of surround sound performances Circular Landscapes resulting from a specific recording project in Sharjah. The performances take historically significant sites of transit and migration as material; the ancient desert of Mhelia and the first airport in the UAE and Arab States of the Gulf (GCC). The performances wer ein Dubai and Sharjah, UAE, Maraya Arts Centre, Sharjah, UAE

December 2016

  • Live performance – Brunel Museum and Museum of London, by Chris Weaver on tape looping machines
  • Printed article – Frieze 2016 review, Canvas Magazine by Fari Bradley

Sept-October 2016

  • Radio Revolten, Germany. A month long festival of radio art with performance and broadcasts in Halle, Germany. Broadcasts led by Chris Weaver, with performances by both Bradley and Weaver live on air, and broadcast live from the gallery spaces
  • PLAN B festival Kharkiv, Ukraine 23-25th September. Radio workshops and DJ performance, Fari Bradley
  • Commissioned long-read article on Iranian multimedia artist Farideh Lashai, Al Tashkeel Magazine, UAE, August 2016, by Fari Bradley
  • Commissioned opinion piece, Canvas Magazine Sept-October Issue on performance art, Fari Bradley

Recent Commissions:

  • “The far Becomes Near” – ongoing, 2016 Sharjah Art Foundation
  • Performance of UnMuted Serving Beirut Arts Centre, July 2016
  • Lecture on Halim El Dabh, Beirut Arts Centre, July 2016 led by Fari Bradley
  • Performance of UnMuted Serving, Malja Bahrain, June 2016
  • Performance of live improv, in collaboration with Maxeem Meraki, a local Bahraini musician (bouzouki), Malja Bahrain, June 2016
  • Tracing the Chora, a permanent soundwalk commissioned by Al Serkal avenue, 2016. The chora, described by Plato, is a space through which to decipher the reality of our surroundings. The walk observes Al Quoz’s vastly different terrains through the eyes of those who have worked in the area for years. Narration and sounds direct listeners on a one-hour journey that traces the boundaries between the Avenue and its neighbourhood
  • Drum Circle in a Chain, an interactive sound installation commissioned by Red Bull Music Academy, Dubai Bass Camp 2016.
  • Close to Karachi, a solo exhibition of sound sculptures, photography and found objects. 16th-26th October 2015, at Edge of Arabia, London, SW11
  • (Not a) Sound Map of Karachi, public lecture at London College of Communication, University of the Arts London, October 14th, 2015
  • Close to Karachi, public talk at Iniva, Stuart Hall Library, London, October 29th, 2015
  • “Red Tide” features in A Burgeoning Collection group show at the Maraya Art CentreSharjah, UAE
  • Awarded the Lahore Biennial Residency September 2015
  • Group showMetropolis opened September at Habib University, Karachi, Pakistan

 


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